Mesoamerican religion and multiverses: Part Two

It is generally assumed that the idea of other universes is the unique product of “post-modern” thinking based on the Theory of Relativity and quantum mechanics. But the ancient Aztecs and Maya probably got there first. In Part One, we looked at the concept of previous Ages or Worlds in various civilizations around the globe, […]

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Mesoamerican religion and multiverses: Part One

The idea of multiple universes or parallel worlds connected by “worm-holes” has long been a feature of modern science fiction and fantasy. However, the idea of consecutive worlds or universes preceding our present world goes back much further. Now the concept of multiverses has been taken up by such eminent scientists as the Royal Astronomer himself, Sir […]

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Aztec calendar stone

Mesoamerican religious concepts: Aztec symbolism, Part Three

Mexican History The Aztec Calendar Stone is one of the most important monumental works of art left to us by the Aztecs. Since its discovery in what is now the main zocalo of Mexico City, it has been studied in minute detail. Much fairly accurate information about it is available to the public via the internet and […]

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Aztec calendar stone

Mesoamerican religious concepts: Aztec symbolism, Part Two

Some communications “experts” claim that most of our communication is non-verbal and that we interact with one another more with signs and symbols than through the spoken word. However, it is difficult to see how these supposedly “non-verbal” signs and symbols can be adequately understood apart from language. I see an object in front of […]

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Huichol art, a matter of survival I: Origins

When does a tradition cease to be a tradition? Conversely, at what point in time and under what circumstances does a tradition begin? “Tradition” may be defined as “a statement, belief, or practice transmitted (especially orally) from one generation to another.”In general a “tradition” lasts a long time, but all traditions have to begin some […]

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Huichol art, a matter of survival II: Authenticity and commercialization

In Part One, we looked briefly at the origins of Huichol religious and commercial art, in particular the yarn or bead paintings. The Norwegian explorer and ethnographer Carl Lumholtz left us detailed descriptions of Huichol art as he found it between 1890 and 1898. We are thus able to compare original Huichol symbolic and decorative […]

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