FREEDOM (poem)

articles Cultural Customs

Thea Evensen

FREEDOM

Tony Burton. 1981. Pan American Highway in OaxacaPan American Highway near Oaxaca © Tony Burton, 1981.
 
The Pan American Highway is a dark asphalt ribbon.
To the east and west, low brown hills rise in the distance.
To the south, Oaxaca. To the north, Mexico City, many miles away.
It’s quiet, deserted, nothing in sight but the jeep heading across open land,
dust plumes billowing in its wake.
 
She watches the jeep disappear and feels the silence settle in around her.
She’s heading north in her blue flowered skirt, white cotton blouse, brown sandals.
Weeks before, in a lakeside village in Guatemala, she was taken to the police station
for wearing cut-off jeans and a tank top in public. Now she’s more modest,
cautious, respectful, out on the road alone.
 
A wave of panic comes, a sense of disconnection
from the usual stream of activity that fills each day.
She stepped off the moving sidewalk and it feels a bit queasy.
There’s also the momentary fear that no car will come.
She’ll be abandoned in the vast silence of the open road.
All she can do is wait.
 
Next, a surge of unexpected freedom. She laughs out loud
at her good fortune: to stop time and motion, to just be.
She’s completely alone on the two-lane highway,
hills in the distance, bright sun in a wide sky.
There’s nothing else as far as she can see in any direction.
It’s an exquisite gift.
 
Despite her unease, there’s also a deep sense of protection and safety,
an assurance that rescue will come in its own time.
A car heading north will appear over the rise, stop, pick her up.
It will take her to the Capital where life’s momentum
will sweep her up once again.
And this pristine moment of absolute freedom
will be left behind on the dusty highway,
somewhere in the remote expanse of southern Mexico.
 
© Thea Evensen 2026
Published or Updated on: April 7, 2026 by Thea Evensen © 2026
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