At least ten years before the "Big Three" - Rivera, Orozco, Siqueiros - came into their own as world-renown muralists, a lone painter was setting the groundwork. His name was Saturnino Herran. He was t...
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The influence of Mexican design on Christian work has been the subject of much controversy. Bernard Bevan in the “History of Spanish Architecture” claimed that the influence of Mexican designs was practically negligible in Mexico and whatever seemed that way was due to “poor Indian workmanship”.
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Once upon a time... The historical overview: Part 2
Mexico is a country of marked contrast – raw and vital in its energy, still and timeless in its majesty. The non-hurried pace of its people ...
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There is no more glorious an experience or heightening of the senses than to walk through Puebla's exquisitely beautiful downtown on a sun drenched afternoon. Every building is a work of art. And every...
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The 1920s should not have been a flourishing period for Mexican art. The revolution had just ended. The cruelties of war and constant political upheavals had fragmented the country. And illiteracy was rampant.
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When Cortes and his small band of bounty hunters first set foot on the shores of pre-Hispanic America, little did they know what real treasures they would take back to the Old World. The precious metal...
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It would be a terrible oversight to write an "Arts in Mexico" column without paying special tribute to Francisco Toledo, one of Mexico's greatest living artists. In the eyes of many, he is Mexico's gre...
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This past February I had the pleasure of attending the first concert of the 2005 season given by the Xalapa Symphony Orchestra. It was the first time I had heard the orchestra, and I was impressed by t...
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During the heady days that followed the Mexican revolution, the air was filled with fervent nationalism. The euphoria of new beginnings brought out the best in creative vision from talent that fed on t...
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"While we are alive, we cannot escape from
masks or names. We are inseparable from
our fictions - our features."
Octavio Paz
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The well-known American poet Margaret Randall talks about the documentary
"El Corno Emplumado: Una historia de los sesenta"
(El Corno Emplumado: A story of the sixties").
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The coming of the Spaniards in 1519 drastically altered the political and religious life of pre-Hispanic America. Cortes, with the help of his mercenaries and priests, decimated the ruling elite and wiped out the existing theocracy, but try as they might, they could not destroy the people's love and need for ritual.
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In one month, on November 2, it will be "El Dia de los Muertos" (the Day of the Dead), and Jose Guadalupe Posada, or Don Lupe as he was known to his friends, a poor but prolific printm...
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Mexico is a country rich in creative expression, and its creative roots go far back into the history of its people. In much of the modern work done today, one can still catch a glimpse of the mysteriou...
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Agustín Victor Casasola was not a painter or a poet or one of the many intellectuals or revolutionaries during the early decades of the twentieth century who consciously strove to forge a Mexican identity. Yet, as witness and recorder of those tumultuous years, his influence was as great and may prove to be more lasting.
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One of the perks of living at Lakeside is the ubiquitous exposure to the religious art of the Huichol people. The artwork, so vibrant in color and rich in symbolism, effortlessly draws the viewer into ...
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Music is the universal language that crosses all barriers and penetrates the heart. There was no composer who understood the emotional draw of music better than Agustín Lara, and no song writer who ha...
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The following comparative time line provides an orientation to the roots, elements and development of the rich artistic heritage of Mexico.
The time line presentation allows for a sense of movement a...
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Manuel Alvarez Bravo is not as well known for his portraits of artists and intellectuals, but many are dazzling. One of his finest portraits is that of Frida Kahlo, dressed in necklaces and flowing clothes, leaning against a table with a curious glass ball. He probably met Kahlo through her father, Wilhelm Kahlo, to whom he was introduced by Hugo Brehme, his teacher at the start of his career. He and Frida were to become friends.
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