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 The Crouched Ones (1934)
 A group of men lean over a counter top, their backs to the observer. The partially closed gate to the café casts a long shadow over the men, who have been effectively decapitated by the darkness. The scene through the camera creates a metaphor of isolation.

The Crouched Ones (1934)

A group of men lean over a counter top, their backs to the observer. The partially closed gate to the café casts a long shadow over the men, who have been effectively decapitated by the darkness. The scene through the camera creates a metaphor of isolation.

Source article: The photography of Manual Alvarez Bravo (1902 - 2002)
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