
Carol Schmidt

Mar 22, 2003, 1:34 PM
Post #5 of 10
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Re: [jsandrock] Setting up an electric ceramics kiln in Mexico
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Lots of artists have their own ceramics studios in San Miguel, and I've gotten the impression from the ones I've talked to that they've had no problems with their electric kilns, though electricity is indeed costly. Some also take classes at the Instituto Allende so that they can use those kilns for their firing; I don't know the cost arrangements. I bet you could find another ceramist to share kiln space with if you're going to an arts-centered area, though you probably don't want to count on that if you don't know for sure there is such a person where you are going. I know that some of the rural ceramics factories do use all sorts of fuel for their kilns, which makes for hard-to-control temperatures, and thus hard-to-control glaze outcomes and safety factors in case you didn't get a high enough temp to take care of lead problems. Irregular temps can cause differences in size of bisque when you wanted to have a matched set and some pieces fired at different times and temps shrunk differently than others. Electricity is much more reliable. And yet, we do often have power outages and brown-outs, more than in the States, which might mess up an entire load of greenware; refiring might not always solve the problem. Don't know what to tell you, but maybe these ramblings help. I used to own a hobby ceramics store back in Michigan in a previous life and had one kiln (out of my five) I absolutely loved, so I know how you feel. I sold them for peanuts. You might luck out and be able to buy a used kiln from someone leaving the area or the craft when you get where you're going, but again, you can't count on that. Carol Schmidt
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