Recent columnist articles
"People unfamiliar with the Latin culture are curious, confused, and sometimes repulsed by the emphasis on suffering in religious figures. During Easter in North America, the focus is on the resurrection and the delights of spring. The event is concerned with the awe of transformation. There is resistance to facing the suffering that is a major part of this epic…." read more
"Art is a country's history and, before Mexicans could read or write, they were telling stories through their art. If this art disappears, so does history." read more
Exploring Enrique Metinides' images is to immerse yourself in those depths of humanity awash in raw emotion, as the 79-year-old photographer has captured some of the most poignant moments to unfold on ... read more
It is written with skill and with grace, and the old verities that are at the heart of being human are here: loss and grief, guilt and longing, loyalty and love.
Set in modern-day Mexico, it tells the story of Hank Singer and is also about his relationship with César Lobos de Madrid, whose "family was one of the oldest, wealthiest, and most politically connected in Chiapas, if not in all of Mexico."
Hank has arrived just a few weeks before the Zapatista uprising in Chiapas, led by Subcomandante Marcos, who on January 1, 1994, declared war against the government and the military... read more
Feeling detached, perhaps defensively, from his plummeting body, Sands wonders, "How had the little people emerged from the painting over his buffet?
It was his Rafael Cantú masterpiece, The Last Supper, the prize of his collection. And they were the characters from the painting. He recognized the odd, ragged leather outfits.
Had he been murdered by these nightmare versions of Christ and the Apostles?" ... read more
In The Theft of the Virgin, sixty paintings from the popular Vergruen Reference Collection of outstanding masterpieces of art — all forgeries — are on temporary display at the Bellas Artes in San Miguel de Allende... But are they all forgeries?
Paul Zacher, one of many talented artists in San Miguel de Allende, is our protagonist and for the most part our narrator.
Zacher suspects a scheme that is putting originals into the hands of very amoral and very wealthy collectors. read more
She helps her gardener with his English, takes pleasure in her garden, is fascinated by the old Mayan legends, grateful for the sacrifices of their gods, and holds sacred the food she receives.
A principle she lives by is this: "be thankful and say so regularly." She feels in her heart that this religious attitude is "much easier to grasp than the more intellectual, less sensory religions…." read more