This trickster - satirist from Guadalajara often begins with classical Mexican forms, themes and motifs, and then corrupts them, so to speak, by bombarding them with foreign elements. Colunga renders biting visual testimonies of a culture in constant defense of its own values.

Madona de los tecolotes
(Madonna of the Owls)
1981

El mago pitero
(The Phallic Magician)
1982